With over 20 years of experience in 3D graphics and visual communication, and after many years working in the field of architecture, he co-founded Matic Animation in 2005. This marked the beginning of a journey of artistic exploration in design and digital visualization. An expert in digital lighting techniques and special effects, he serves as both director and performer in our most emotionally impactful creations.

With a degree in Architecture and a constant pursuit of perfection, he is one of the leading experts in the field of three-dimensional architecture. Fascinated by 3D graphics and visual communication from the very beginning, he co-founded Matic Animation in 2005, setting new standards in digital visualization. A deep connoisseur of modeling and animation techniques, he lies at the core of all our productions — designing and bringing to life everything the imagination can conceive.

A professional photographer with decades of experience in both traditional and digital photography, he possesses deep expertise in all aspects of shooting, lighting, and post-production. Constantly experimenting and applying new photographic techniques, he brings innovation and precision to every project.

"He began his career by graduating in 2009 from the Faculty of Architecture at La Sapienza University in Rome, with a thesis on experimental technologies. He soon distinguished himself as an architect in the fields of planning and interior design. Passionate about freehand drawing, he plays a key role in bringing our clients’ ideas to life. These skills led him to join Matic Animation in 2010, where he now serves as Commercial Director.

Graduated from the Faculty of Industrial Design at ISIA in Rome, she collaborated for years with major communication agencies and design studios, eventually working with companies such as Datalogic, BMW, and Mares on product development — from concept design to final realization. In 2008, she joined the Matic Animation team, focusing on visual communication, layout design, and advertising.